• • • SUBSCRIBE AND FOLLOW THAT WAS MUSIC (At the bottom of the page) • • • VAN DER GRAAF GENERATOR TRIBUTE • • • SEE YES AT THEIR PEAK, IN CONCERT AT QUEEN´S PARK, LONDON, 1975, WITH PATRICK MORAZ, PLAYING THE WHOLE RELAYER ALBUM (High Quality Video. Right column, middle of the page) • • • TWM FOLK SECTION - THE PENTANGLE • • • THE MAKING OF Sting´s new album "If On A Winter´s Night" • • • PHOTOS OF... P.F.M. • • • Leave some lines if the content pleases you, or drop a few words in the chat box • • •

martes, 23 de febrero de 2010

JOYAS DE COLECCIÓN (III) PETE DELLO & FRIENDS • INTO YOUR EARS

"INTO YOUR EARS", UN ÁLBUM GRABADO EN 1971 POR PETE DELLO –FUNDADOR DEL GRUPO BRITÁNICO HONEYBUS– ES UNA JOYA SONORA; UNA COLECCIÓN DE CANCIONES CONSTRUIDAS SOBRE EL FOLK, EL POP DE ARREGLO BARROCO Y LA SIMPLICIDAD ACÚSTICA QUE ROZA LA PERFECCIÓN ABSOLUTA.

Referencias: pop psicodélico de factura exquisita y arreglos clásicos; armonías vocales perfectas; sonido limpio y cristalino. En la mejor tradición Beatles, Hollies, Kinks. Un diez sobre diez.

Pete Dello was the original leader of the Honeybus, a short-lived but wonderful English baroque-pop group who only managed to release one album in 1970 (finally reissued in 2008). For all the gems available on compilations like "Honeybus At Their Best" and "She Flies Like A Bird: The Anthology", fans of their brand of summery, rootsy pop couldn’t be truly satisfied without an ear on Dello’s fine solo efforts.

Comparisons to the Beatles are somewhat unavoidable, from the next-level songwriting to the double-tracked voice, chamber orchestra production, but assertions of cheap imitation are unacceptable. Dello’s album is a pretty mix, most songs led with a clean acoustic guitar or piano, flavoring the sound with modest string and brass sections. This is where the record gets its baroque tag, but at times the music, like Honeybus, approaches a country-folk-rock sound. Tracks like I’m A Gambler illustrate that perfect mix of rural rock and sunshine pop, blessed with some especially tasteful percussion. The trick to the record’s charm may be the Nilsson inspired vocal treatments, either Dello’s unassuming lead or the lilting vocal turns and harmony parts.

I wouldn’t call it a perfect record, but it gets pretty close and grows to be very solid. Pete scored with his first Honeybus single, I Can’t Let Maggie Go, and gets a chance at a full showcase with Into Your Ears. Only a couple tracks push the British camp too much for my ears, so take note if you’re fond of skipping sillier tracks. If you’re looking for gems, you’ll be right on target.



Más información:

Página de Pete Dello en All Music Página de Honeybus y Pete Dello Comprar "Into Your Ears"



Just for Testing Purposes:


Listen "Into Your Ears"



All these links belongs to other blogs and music sites (LAJSO SOUND) ThatWasMusic don´t host, store or upload any file. We just search the web for you. Remember that you should buy the record if you like what you hear. Support the artists. Todos los links de ThatWasMusic han sido encontrados en Internet y pertenecen a otros blogs y webs de tema musical. ThatWasMusic no hospeda, almacena ni sube ficheros a la red. Simplemente busca por ti. Recuerda que debes comprar los discos originales si lo que escuchas te gusta. Apoya a los artistas siempre

Read more...

JOYAS DE COLECCIÓN (II) FAIRFIELD PARLOUR • FROM HOME TO HOME

A FIN DE EVITAR SER CONFUNDIDOS CON EL GRUPO PSICODÉLICO ESTADOUNIDENSE DE IGUAL NOMBRE, LOS BRITÁNICOS KALEIDOSCOPE SE REBAUTIZARON (TRAS GRABAR DOS MARAVILLAS LLAMADAS "TANGERINE DREAM" Y "FAINTLY BLOWING") COMO FAIRFIELD PARLOUR. EN 1970 EDITARON "FROM HOME TO HOME", Y UN AÑO MÁS TARDE REGISTRARON UN DOBLE ÁLBUM CONCEPTUAL, DENOMINADO "WHITE FACED LADY", QUE TENDRÍA QUE ESPERAR MÁS DE 20 AÑOS ANTES DE VER LA LUZ DEL DÍA. DOS JOYAS ATEMPORALES, ORGULLO DE CUALQUIER COLECCIÓN.

Referencias: Grupo a caballo del folk y la psicodelia, de estructura y planteamientos claramente progresivos, que presta absoluta atención a la melodía y a la instrumentación. Extraordinarios arreglos vocales, preeminencia acústica, tremendamente originales, poéticos, épicos y difíciles de clasificar. Mucho más que un simple cruce entre Beatles, Pink Floyd y Moody Blues. Im-pres-cin-di-bles.

Kaleidoscope / Fairfield Parlour biography
The English band KALEIDOSCOPE (not to be confused with American band KALEIDOSCOPE which existed at the same time and played basically psychedelic rock too) is an almost forgotten band from the late sixties and early seventies. The band started its recording activities in 1967 as KALEIDOSCOPE, but the band was formed back in 1963 with the name THE SIDEKICKS and changed to THE KEY later. In the beginning, the line-up was Eddie Pumer on guitar, Steve Clark on bass and Danny Bridgman on drums, but they later needed a new vocalist and Peter Daltrey joined (he played keyboards too). They played local venues and released singles, but when they signed a contract with Phillips, they changed the name of the band and started playing their own psychedelic rock compositions instead of the covers they used to play before. The combination of Pumer's musical arrangements and Daltrey's lyrics was the main power of the group.In 1967 was released their first album, 'Tangerine Dream'. The album comprises fine psychedelic songs with experimentations and arrangements like many of the top psychedelic and early progressive bands from that age (THE BEATLES, PINK FLOYD, THE MOODY BLUES). They got lots of airplay and recorded many BBC sessions, but didn´t sell well. They eventually released more singles, like 'Jenny Artichoke', which was a success, but sold poorly, and another album, 'Faintly Blowing'. It was released in 1969, showing a progression of it's predecessor in terms of sound. Although still psychedelic, the compositions were getting more progressive. The album unfortunately failed to chart.They released a final single, 'Balloon', before changing the name to FAIRFIELD PARLOUR and becoming totally progressive oriented. The band didn't achieve success (Fantastic first album: "FROM HOME TO HOME") and they were unlucky at the time, failing to chart and having problems (including some sabotage) in all great gigs they had, including the famous Isle of Wight, which they were the responsibles for the 'Theme Song' of the festival (released under the name of I LUV WIGHT). "WHITE FACED LADY" was their last album, recorded in 1971 partly with the help of Mike Pinder, from THE MOODY BLUES. The album was a conceptual double-album with many orchestral arrangements. The band had a deal with Vertigo at that time, but the responsible quit Vertigo and moved to CBS. So they were to release it on CBS, but CBS refused to release their album and it stayed shelved for twenty years, being released in 1991 by a label they created just to release the album, Kaleidoscope Records, under the name of KALEIDOSCOPE, although recorded under the FAIRFIELD PARLOUR encarnation of the band. The band split in 1972 due to the lack of results and luck (they were offered less than 20 dollars to play the last gigs). So this was the end of this great psychedelic and progressive rock band which had talent to be one of the major progressive rock acts of their age but died prematurely due to bad luck in the crucial moments. It is highly recommended because they were one of the first progressive rock bands that evoluted with the genre and made a fantastic work, mainly their excellent conceptual album 'White Faced Lady' TEXT by PROGARCHIVES
Más información:
Página oficial de Fairfield Parlour Fairfield Parlour / Kaleidoscope en All Music Comprar discos de Fairfield Parlour en Amazon

Just for Testing Purposes
Listen "From Home to Home"Listen Part One and Part Two "White Faced Lady" (CD rip - mp3. bitrate: 256)

All these links belongs to other blogs
and music sites (CONVENTIONAL SOUND and OREXIS OF DEATH) ThatWasMusic don´t host, store or upload any file. We just search the web for you. Remember that you should buy the record if you like what you hear. Support the artists. Todos los links de ThatWasMusic han sido encontrados en Internet y pertenecen a otros blogs y webs de tema musical. ThatWasMusic no hospeda, almacena ni sube ficheros a la red. Simplemente busca por ti. Recuerda que debes comprar los discos originales si lo que escuchas te gusta. Apoya a los artistas siempre



Read more...

JOYAS DE COLECCIÓN (I) LAZARUS • A FOOL´S PARADISE

CON "JOYAS DE COLECCIÓN", THATWASMUSIC INAUGURA UNA LARGA SERIE DE ENTRADAS DEDICADAS A VERDADERAS MARAVILLAS DE LOS SETENTA, PRÁCTICAMENTE DESCONOCIDAS POR EL GRAN PÚBLICO, SELECCIONADAS UNA A UNA SIGUIENDO UN CRITERIO DE ABSOLUTA EXCELENCIA.

Referencias: Grupo de bellísimas armonías vocales y asombroso talento compositivo. Para fans de Magna Carta, Tudor Lodge, Crosby, Stills, Nash & Young, Prelude, Wooden Horse, Peter, Paul & Mary.

Lazarus were a soft rock trio, originally known as Shiloh, who were one of the early signings to the Bearsville label -- and like a lot of that company's early signings, their music came and went without much notice from the public, despite their having the attention of Peter Yarrow as the producer of their two LPs. Legend has it (as also referenced in the notes to their debut LP) that they approached Yarrow backstage following a 1969 Peter, Paul and Mary concert. In short order, they were renamed Lazarus and cutting an album under the auspices of Yarrow and Peter, Paul and Mary producer Phil Ramone, and were signed to Bearsville, a record company newly organized by PPM manager Albert Grossman. They were, in fact, Christian rockers, which was something relatively new in those days -- the back-to-Jesus movement, as an offshoot of the counterculture, had just gotten rolling a couple of years earlier. The members were Bill (Billie) Hughes on guitar, violin, and backing vocals; Carl Keesee on bass and vocals; and Gary Dye on keyboards and vocals. Their sound was basically acoustic rock with minimal amplification and lots of harmony vocals -- think of Crosby, Stills & Nash or a low-wattage answer to the Doobie Brothers from the time of their second or third album. And in a way, it's ironic that Peter Yarrow, of the PPM lineup, ended up producing them, as Noel "Paul" Stookey was the trio's most overtly religious practitioner (and a devout born-again Christian as well), and ended up performing Bill Hughes' "Blessed," a song off of Lazarus' self-titled debut album, at his Carnegie Hall concert, released by Warner Bros. as One Night Stand. In any case, neither of Lazarus' two albums sold in any serious numbers, but the group was still working in the mid-'70s. One report has them doing a Life Savers jingle during this period. Hughes, who passed away in Los Angeles in 1998, went solo in 1978, cutting his first album for Epic that year. He also worked with Keesee in Canada, cutting records into the early '90s. Keesee played a lot of sessions, including recordings with Jane Siberry, and -- with Hughes -- recorded with David Bradstreet. The second Lazarus album, Fool's Paradise, was released by Pony Canyon in Japan on CD, but otherwise the group's main exposure in recent decades was the 2000 reissue of "Ladyfriends 2" from their second album on Bearsville Anthology. Text by BRUCE EDER - ALL MUSIC

Más información:
Página de Lazarus en All Music
Página oficial de Billie Hughes
Comprar discos de Lazarus en Amazon
Comprar discos de Lazarus en iTunes-Apple
Página de "A Fool´s Paradise" en el sello Bearsville

Just for Testing Purposes:
Listen "A Fool´s Paradise" here or here (mp3. bitrate: 192)

All these links belongs to other blogs
and music sites (SAM1957). ThatWasMusic don´t host, store or upload any file. We just search the web for you. Remember that you should buy the record if you like what you hear. Support the artists. Todos los links de ThatWasMusic han sido encontrados en Internet y pertenecen a otros blogs y webs de tema musical. ThatWasMusic no hospeda, almacena ni sube ficheros a la red. Simplemente busca por ti. Recuerda que debes comprar los discos originales si lo que escuchas te gusta. Apoya a los artistas siempre.

Read more...

domingo, 14 de febrero de 2010

TODD RUNDGREN, A TRUE STAR

THE ALBUMS OF TODD RUNDGREN ARE A MUST FOR ANY COLLECTOR AND LOVER OF THE GOOD MUSIC DID IN THE 70´S. AN ECLECTIC MIX OF PROG-ROCK, POP & SOUL. THERE´S NOTHING LIKE THIS, NOR EVEN REMOTELY...

Músico extraordinario, multinstrumentista virtuoso, productor, cantante y compositor capaz de sorprender tras casi cuarenta años grabando discos, Todd Rundgren es una de las figuras esenciales del rock progresivo, el pop progresivo, el pop, la música electrónica y de vanguardia, de la escena estadounidense. Creo que a pesar de que sus fans en todo el mundo son legión, es un gran desconocido para muchos. Para mí, que llevo cuatro décadas sin perderle la pista, es una figura carismática, esencial e irrepetible en la historia del rock. ¿Qué tiene Todd Rundgren? ¿Cómo explicar la maravilla que son sus discos de los setenta? ¿Cómo definirle? Es imposible. Al igual que ha hecho Bowie a lo largo de su carrera, Todd se ha reinventado a cada paso dado, disco tras disco. Su trilogía esencial de la primera mitad de los setenta está conformada por "Something/Anything?" (1972), "A Wizzard, a True Star" (1973) y "Todd" (1973), discos en los que él se erige máximo artífice, grabando todos los instrumentos y voces, actuando como ingeniero de sonido y productor; trabajos en los que fusiona magistralmente conceptos instrumentales propios del rock progresivo, junto a baladas, rhythm & blues, soul y pop. A partir de ese momento, su talento se repartirá entre sus discos en solitario y los grabados junto a su grupo Utopia, banda con tres teclistas que debuta con un formidable y demoledor álbum de igual título; auténtica joya del progresivo que no debe faltar en ninguna colección. Todd, un auténtico brujo, no dejará de sorprender a lo largo de los siguientes años: discos de baladas ("Faithful"); sublimes obras maestras de pop-rock sinfónico ("Hermit of Mink Hollow" y "Healing") y álbumes en los que grabará todos los instrumentos con su voz ("A Cappella"). Introducirse en la música de Todd Rundgren es un deber para todo aquel que se precie de poseer un gusto exquisito en cuestión de sonido. Sus trabajos son pura originalidad, cautivadores de principio a fin; su voz, su forma de cantar, es deliciosa. Una balada de Todd Rundgren es capaz de derrumbar muros. Sus letras no tienen desperdicio. Es, en definitiva, un músico fascinante. Si no sabes por dónde empezar, hazlo por su doble "Something/Anything?", lleno de baladas, tempos medios y deliciosos pasajes de pop instrumental. Si te gusta su trabajo (y te va a dejar con la boca abierta), compra sus discos. No dejes de hacerlo.

Más información:
Página oficial de Todd Rundgren Más información en All Music Comprar discos de Todd Rundgren

Only for Testing Purposes:
Listen "Something/Anything?" (1972) Listen "A Wizzard, a True Star" (1973) Listen "Todd" (1973) Listen "Utopia" (1974) Listen "Iniciation" (1975) Listen "Hermit of Mink Hollow" (1978) Listen "Back to the Bars" (1978) Listen "Healing" (1981)

All these links belongs to other blogs and music sites (arconderecuerdos). ThatWasMusic don´t host, store or upload any file. We just search the web for you. Remember that you should buy the record if you like what you hear. Support the artists. Todos los links de ThatWasMusic han sido encontrados en Internet y pertenecen a otros blogs y webs de tema musical. ThatWasMusic no hospeda, almacena ni sube ficheros a la red. Simplemente busca por ti. Recuerda que debes comprar los discos originales si lo que escuchas te gusta. Apoya a los artistas siempre.

Read more...

domingo, 7 de febrero de 2010

AMAZING BLONDEL, BELLEZA BRITÁNICA

DELICADOS Y PRECIOSISTAS, EMPEÑADOS EN LA PERFECCIÓN, DOTADOS DE UNAS VOCES ÚNICAS, INSTRUMENTISTAS CONSUMADOS, AMAZING BLONDEL SON, JUNTO A STEELEYE SPAN, LO MEJOR DEL FOLK TRADICIONAL BRITÁNICO. SU MÚSICA ES COMO UNA ACUARELA DE TURNER O COMO UN PASEO POR LA CAMPIÑA INGLESA CUANDO LA PRIMAVERA ESTRENA VESTIDO NUEVO. SENCILLAMENTE EXCEPCIONALES.

AMAZING BLONDEL existed throughout the early seventies. Originally formed by John David GLADWIN, Terry WINCOTT and Eddie BAIRD after leaving another even more obscure band called METHUSELAH. For these three, the band was essentially a three piece singing and playing krumhorns, recorders, lute, theorbo, guitars, dulcimers, flute, piano, harpsichord, mellotron, organ, tabor, cittern tubular, bells, glockenspiel and percussion. English mostly acoustic 1969-76. Middle-age renaissance guitar, organ and other instruments, multipart harmony vocals, etc., bordering on the prog movement in England at the time. The musicians had earlier played rock and thus the music cannot be termed classical either. Among lots of famous guest musicians can be named Boz Burrell, Eddie Jobson, Steve Winwood and Mel Collins.
"The Amazing Bondel" was a collection of soft acoustic rock numbers that included one medieval-styled song that seemed to go over better than anything else, and that was the direction they aimed for in their future releases. "Evensong" is a folk album that harked back to the Middle Ages and the Renaissance. Madrigals and ballads performed on period instruments became their specialty and the trio's creative ideas led to the concept album "Fantasia Lindum", which belongs more to progressive-rock than to folk-rock. "England" used the same technique to craft elegant, lushly-arranged pop songs. GLADWIN left and the surviving duo veered towards STEELEYE SPAN's hard-folk with "Blondel", entirely composed by BAIRD, "Mulgrave Street", "Inspiration", "Bad Dreams". The band reunited 21 years later for "Restoration" (1997), an album which harkens back to their halcon days.
Their third and fourth albums "Fantasia Lindum" and "England" represent the most musically sophisticated of the material, which any progressive fan without an aversion to folk music should have no trouble enjoying. Most fans of early GRYPHON, JETHRO TULL, FAIRPORT, and other British folk rock will be delighted with this band. TEXT by PROG ARCHIVES

Más información
Página oficial de Amazing Blondel Página Fantasia Lindum de Amazing Blondel Más información en All Music Comprar álbumes de Amazing Blondel

Just for Testing Purposes
Listen "Evensong" (1971) Listen "Fantasia Lindum (1972) Listen "England" (1972) Listen "Blondel" (1973) Listen "A Foreign Field That Is Forever England (Live Abroad 1972-73)" (1996) Listen "Restoration" (1997)

All these links belongs to other blogs and music sites (velhorockeiro.blogspot.com • diariopocometodico.blogspot.com • ramblersplace.blogspot.com). ThatWasMusic don´t host, store or upload any file. We just search the web for you. Remember that you should buy the record if you like what you hear. Support the artists.

Todos los links de ThatWasMusic han sido encontrados en Internet y pertenecen a otros blogs y webs de tema musical. ThatWasMusic no hospeda, almacena ni sube ficheros a la red. Simplemente busca por ti. Recuerda que debes comprar los discos originales si lo que escuchas te gusta. Apoya a los artistas siempre.



Read more...

martes, 2 de febrero de 2010

MICK TAYLOR, STONE ALONE

EDITADO EN 1979, EL PRIMER ÁLBUM EN SOLITARIO DE MICK TAYLOR, TRAS SU SALIDA DE LOS ROLLING STONES, ES UN AUTÉNTICO CLÁSICO A CABALLO ENTRE EL ROCK, EL BLUES ACÚSTICO Y EL JAZZ. UNA VERDADERA JOYA, INAGOTABLE Y PERFECTA DE PRINCIPIO A FIN.

"This is truly an excelent album. Mick Taylor songwriting, guitar playing and vocals are all superb. Mick Taylor is one of the most expressive guitar players I have heard. I've owned a tape of this for the last 20 years, and every so often, I get it out and listen to it. I always enjoy it. The music has such depth. Particularly the instrumental songs (3 of 8 on the albumn). Spanish/A minor is a masterpiece of mixing guitars, piano, and synthesizers with changing themes and varying intensities. Leather Jacket and Broken Hands are excellent rock and roll songs." (Amazon review)

"When Mick Taylor left the Rolling Stones he took their heart and soul with him. Nothing they've done without him rocks as hard as Broken Hands and the country blues of Alabama contains some incredible slide guitar that would have fit perfectly on Exile On Main Street. Gorgeous playing throughout this wonderful album." (Amazon review)

"Taylor finally got around to launching a solo career. 1979 saw the release of his self-titled debut, which is often considered to be the finest of his solo releases" (AllMusic review)

Más información
Página oficial de Mick Taylor Mick Taylor en AllMusic Comprar "Mick Taylor"

Just for Testing Purposes
Listen "Mick Taylor" (The Link belongs to Ramblersplace)

All these links belongs to other blogs and music sites. ThatWasMusic don´t host, store or upload any file. We just search the web for you. Remember that you should buy the record if you like what you hear. Support the artists.

Todos los links de ThatWasMusic han sido encontrados en Internet y pertenecen a otros blogs y webs de tema musical. ThatWasMusic no hospeda, almacena ni sube ficheros a la red. Simplemente busca por ti. Recuerda que debes comprar los discos originales si lo que escuchas te gusta. Apoya a los artistas siempre.

Read more...

lunes, 1 de febrero de 2010

JOHN ENTWISTLE, BEST ROCK BASSIST

THE QUEST FOR THE BEST BASS GUITAR OF ROCK HAS A WINNER, CLAP YOUR HANDS TO MR. JOHN ENTWISTLE

Pocas sorpresas, por no decir ninguna, ha deparado la votación de los amigos y visitantes de ThatWasMusic a la hora de elegir al mejor bajista del rock de todos los tiempos. El gran John Entwistle –considerado en otras encuestas como el "bajista del Milenio"– se ha alzado con el galardón, no sin competir enconadamente a lo largo de todo un mes con Jack Bruce, Jaco Pastorius, Chris Squire y John Paul Jones; todos ellos seguidos de cerca por Stanley Clarke, Tony Levin y Roger Waters. Se diría que el resto de músicos que integraban la lista parecían haber sido borrados del mapa, como por arte de ensalmo. Tal ha sido la concentración de votos. Tras la elección de Jimi Hendrix como mejor guitarra del rock, hace un mes, el grupo de super estrellas se va completando poco a poco. Ya tenemos al gran bajista de The Who, apodado "The Ox", al bajo. Habrá que ver quién se sienta a la batería y a los teclados, en próximas encuestas. Y quién se atreve a ponerse al frente de todos ellos y... cantar.

Resultados de la encuesta:
LOS 5 MEJORES BAJISTAS DEL ROCK
Participantes: 148 personas Votos emitidos (5 por persona): 740 votos

1. John Entwistle (58 votos, 39%) 2. Jack Bruce (54 votos, 36%) 3. Jaco Pastorius y Chris Squire (52 votos cada uno, 35%) 4. John Paul Jones (50 votos, 33%) 5. Stanley Clarke (48 votos, 32%).

Más información:
Excelente artículo de bassguitar.com sobre John Entwistle Artículo sobre Entwistle y su técnica como músico Página personal de John Entwistle

Just for testing purposes:

Listen the first album (1971) of John Entwistle "Smash Your Head Against The Wall" Japan SHM-CD Mastering (The Link belongs to the excellent blog Small Town Pleasures)

All these links belongs to other blogs and music sites. ThatWasMusic don´t host, store or upload any file. We just search the web for you. Remember that you should buy the record if you like what you hear. Support the artists.
Todos los links de ThatWasMusic han sido encontrados en Internet y pertenecen a otros blogs y webs de tema musical. ThatWasMusic no hospeda, almacena ni sube ficheros a la red. Simplemente busca por ti. Recuerda que debes comprar los discos originales si lo que escuchas te gusta. Apoya a los artistas siempre.

Read more...

ThatWasMusic

IMPORTANT:
The albums posted here are for your listening and sampling purposes only. None of the files shown here are hosted by this server. ThatWasMusic don´t host any file: the links are provided by users of other websites. If you like what you hear, then please go out and purchase the album in your habitual store or online. All music albums downloaded should be previewed, and removed from your computer. After that, what you do is your own responsability.

If you wish to contact ThatWasMusic:
thatwasmusic@gmail.com

ERIC CLAPTON WAS HERE...

GREAT PARTY, ISN´T IT?

Talking Out Of Turn


ShoutMix chat widget

SPEAKING IN TONGUES

"THE RAIN IN SPAIN STAYS MAINLY...

...IN THE PLAIN" (From the film "My Fair Lady")


Se ha producido un error en este gadget.
Se ha producido un error en este gadget.

I WILL FOLLOW YOU

Hazte fan de That Was Music

Hazte fan de That Was Music

EXCELLENT BIRDS

WHAT A WONDERFUL WORLD THIS WOULD BE

Google Analytics

  © Blogger templates ProBlogger Template by Ourblogtemplates.com 2008

Back to TOP